And from the visual effects side of it, in the ‘80s there was a BBC science series called Horizon. The peril is absolutely in earnest and the jokes are absolutely in earnest. The characters were so engaging and there never seemed to be anything cynical about it. “Everything seemed plausible and tangible and real-world, but then with this supernatural edge to it. “I have the joy-of-going-to-the movies side of loving Indiana Jones, which was that it was this ultra-exciting adventure serial,” he tells. But that sentiment could have also come from Industrial Light & Magic’s Andrew Whitehurst, longtime visual effects supervisor, about what the opportunity to work on the film represented. “I’ve been looking for this all my life,” says our adventuring archaeologist in the trailer for Indiana Jones and the Dial of Destiny. Spoiler warning: This article discusses story details and plot points of Indiana Jones and the Dial of Destiny.
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